Open Studies Course Registration
Fall Community Education Courses
CSCE 326: Wheel Throwing $660.00
This class focuses on using the potter’s wheel to create a body of work. As students build and refine basic skills they may advance to larger and more complicated forms. For more advanced students, attachments, altering, and combining thrown forms are highlighted. Students will have the opportunity to explore various techniques to develop more complex and interesting surfaces through various firing processes. This is a fast-paced class that emphasizes form and function, along with innovation, risk taking, and creative development -- not a course for production. Beginners as well as more advanced students will be supported and challenged in this course. Prerequisite: For undergraduate students: CE 200 or CE 201; for graduate students, any previous CE course at MICA; for community members: none. NOTE: This course is meant to open the MICA ceramics studio to the broader community and is not designed for undergraduate or graduate students.
Section A meets September 17, 2019 to December 10, 2019
On Tuesday from 6:30 PM to 9:45 PM
Instructor: Joshua Hebbert
CSDR 315: Fundamentals of 2-D Design $660.00
This course is an introduction to conceptual and formal issues in contemporary art and design and color theory through the hands-on creation of two-dimensional studio projects using a wide variety of media and processes. Course work includes readings, lecture, studio work, and critique for both art majors and non-art majors. Note: The following supplies are needed for the first day of class, 14”x11” pad of drawing paper, set of pencils, ruler, compass, eraser, pencil sharpener Instructor: Bart O'Reilly was born in Dublin, Ireland and has lived in Maryland since 2003. He makes interdisciplinary work that includes painting, drawing, poetry and video. He currently teaches at MICA and Harford Community College. His work has shown extensively in Baltimore, Washington DC. Philadelphia and New York as well as Ireland and Northern Ireland. He received his BFA from the National College of Art and Design in Dublin in 2000 and a MFA from MICA in 2012.
Section A meets September 16, 2019 to December 2, 2019
On Monday from 6:30 PM to 9:30 PM
Instructor: Bart O'Reilly
CSFB 207: Unearthing Pigment: Color from natural dyes and earth pigments $440.00
This course will cover the origins, process and transformative material uses of natural earth pigments (mineral and oxide clay), and natural dyes. Earth Pigments, are mined clay that have naturally occurring colorant. Natural Dyes are derived from plant matter, fungus, lichen, and certain insects and shell ?sh. This coloring is the ?rst known to man and has long been a practice in indigenous communities throughout the world. Participants will study colorants from a historical lens and experiment with applications of earth pigments and natural dyes and their uses in alternative forms such as paint, watercolor/gouache, lake pigments, and pastels.
Section A meets October 26, 2019 to December 14, 2019
On Saturday from 10:00 AM to 2:30 PM
Instructor: Kenya Miles
CSPH 101: Intro to Black and White Photography $660.00
Want to know what to do with that family camera? This 10-week course introduces the fundamentals of darkroom photographic practice. Emphasis is placed on the exposure, development of black and white film, and the silver print as well as the aesthetics of photographic vision. The format includes class demonstrations, lab work, assignments and critiques. Students will learn how to expose and develop 35mm or 120mm film, create contact sheets, and make silver gelatin prints in the darkroom. NOTE: Student may bring their own cameras or borrow one from the department.
Section A meets September 21, 2019 to November 23, 2019
On Saturday from 9:30 AM to 1:00 PM
Instructor: Heather Braxton
Section A meets February 1, 2020 to April 11, 2020
On Saturday from 9:30 AM to 1:00 PM
Instructor: - TBA
CSPR 315: Relief and Intaglio $660.00
In this survey of traditional print media, students are introduced to relief and intaglio printmaking techniques including linoleum cut, copper plate etching, and collagraph. Beginning printmakers have the opportunity to explore a variety of processes while more experienced students may try out new techniques or continue with an ongoing body of work. Group critiques and discussions allow students to investigate and refine underlying concepts and resolve technical issues as they work to produce a series of thematically linked prints. NOTE: No class September 2nd or October 21st.
Section A meets August 26, 2019 to November 26, 2019
On Monday from 6:30 PM to 9:45 PM
Instructor: Ursula Minervini
CSPT 233: Acrylic Painting $660.00
Whether applied in translucent washes like watercolor or molded into rich, heavy textures, made glossy or matte, or used to collage mixed media onto a surface, acrylics offer great versatility for the painter while reducing clean-up time and exposure to solvents. And because acrylics dry quickly, students can progress from preparatory sketches to the finished stages of a painting in one class session. This course introduces the essential concepts and techniques of acrylic painting through subjects ranging from still life, self portrait, and the figure to abstraction. Class sessions explore the varied uses of acrylic paint as a medium and its ability to render light, form and space through descriptive and expressive means. Topics include basic technical control of materials and tools, methods of paint application, color mixing, the use of basic and specialized mediums, mixed media applications, and the preparation of the painting surface (paper, canvas and panel). Presentations convey the medium’s expressive potential and trace its rapid evolution since its introduction in the late 1940’s. NOTE: No class November 28.
Section A meets September 12, 2019 to December 5, 2019
On Thursday from 6:30 PM to 9:45 PM
Instructor: David Little
CSPT 243: Oil Painting: A Museum and Studio Based Inquiry $440.00
The need to visually replicate human existence began the moment the painters of Borneo and Lascaux applied pigment to cave walls. It has endured into the present as artists today continue to explore the craft and concepts of representational oil painting. This course will combine two monthly visits to The Baltimore Museum of Art and The Walters Art Museum with studio painting sessions, using the museum experience as a springboard into personalized painting assignments, group discussions, and the exploration of specific materials and methods. We will investigate the paintings of contemporary and historical artists to better appreciate the theories and practices used to develop a range of styles and concepts, which students may then apply to their own work. Topics of study will be student driven and may include abstraction, expressionism, art-brut, and representation. Investigations into surfaces and layering, grounds and supports, and color theory will round out the course. Formal demonstrations and slide discussions will be used throughout the class. Prerequisite: Learning to Paint (CSPT 201A) or equivalent experience. NOTE: Students must provide their own transportation to the museums. Other Note: The first class session will meet at the Baltimore Museum of Art. Students should bring a sketchbook (8” x 10” or larger, with a spiral or stitched binding) and a drawing pencil.
Section A meets October 5, 2019 to November 23, 2019
On Saturday from 11:00 AM to 2:15 PM
Instructor: Duane Lutsko
NCPH 260: Wet-Plate Collodion $170.00
This two-day workshop in Wet-Plate Collodion photography is a hands-on learning experience with one of the oldest and most uniquely beautiful photographic processes. During this course, students will learn the process of coating, exposing, developing and varnishing metal plates in order to walk away with a set of their own, self-produced, one-of-a-kind tintypes. Students will also learn how to operate large format view cameras and strategize exposure for a range of different subject matter. Meets on September 7th and September 14th.
Section A meets September 7, 2019 to September 14, 2019
On Saturday from 11:00 AM to 4:00 PM
Instructor: Jay Gould
This class is full
NCPH 265: Cyanotype $170.00
This two-day workshop will explore the possibilities of working with the Cyanotype process in both traditional and contemporary methods. Since 1842, Cyanotype, also known as blue prints, has been one of the most stable yet experimental alternative photographic processes. Students will learn to coat the emulsion onto paper and fabric and expose and develop prints. The class will make use the process to make photograms from found objects and also learn to create and print their own digital negatives. Meets on October 12th and October 19th.
Section A meets October 12, 2019 to October 19, 2019
On Saturday from 11:00 AM to 4:00 PM
Instructor: Patrick Galluzzo